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He is both a provocateur and a gonzo craftsman; from Dutch successes (Soldier Of Orange, The Fourth Man) to Hollywood sci-fi blockbusters (Robo Cop, Total Recall, Starship Troopers), the director has found a way to merge dark satirical wit with a taste for excesses of sex and violence.

Elle is a challenging film, but challenging precisely because it’s entertaining, because it’s laugh-out-loud funny, because it indulges its kinks.

Sony Pictures Classics When Verhoeven could no longer find material that suited him, he went back to Holland.

His 2006 Dutch World War II drama “Black Book” (Sony Pictures Classics) starred Carice Van Houten, before she joined “Game of Thrones,” and was shortlisted for the foreign Oscar.

Chasing a slice of the Hollywood studio pie almost always brings compromise, and many foreign-born directors return to their home countries and assemble independent film and television projects.

That was the path of Dutch-born Paul Verhoeven, whose career began in his own language with “Soldier of Orange” and the Oscar-nominated “Turkish Delight.” From there he forged an A-list career that included “Basic Instinct” (which played competition in Cannes) “Robo Cop,” “Total Recall,” “Starship Troopers,” and, yes, “Showgirls.” His last Hollywood movie was “Hollow Man” with Kevin Bacon in 2000.

The idea is that, if the person is smiling and appears to like what they’re seeing on the site, Facebook could use this to start placing more of the same type of content in their newsfeeds.It sets up this pressure to stay camera ready all the time," he tells ."I don't want to think about myself that much.Likewise, if you’re frowning at the screen, the network will know that you aren’t enjoying the kind of content you’re viewing.That, or it’s Monday morning and you’re just frowning at everything.Set around Christmas and shot on location around Paris with an exclusively handheld camera, it shrouds itself in ordinariness (there are too many scenes involving parking troubles and restaurants to count) in much the same way as Verhoeven’s Hollywood films would wrap their sharpest points in special effects and action thrills.